Björk - Love & Hate
Interview by Roger Morton
This article is from the February 26th 1994 issue of New Musical Express.
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Photography by Andrzej Liguz
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Björk - Love & Hate
Pressing ever onwards with our occasional series,
BJÖRK salutes the great and good, disses the devious
and reveals all about the new soup sensation...
HEROES
DAVID ATTENBOROUGH
MY HERO as a kid was David
Attenborough. I was brought up
on him. But he's everybody's
hero, isn't he? Have I seen Once
More Into The Termite Mound?
No, I haven't. But apart from
David Attenborough, I didn't
really have heroes as a kid. I
think I had more heroes when I
was older, after 20.
Before 20, I didn't need
people so much, or I wasn't
conscious of it. But after 20, I
needed people to identify with.
Of course, really, everybody's
biggest heroes are their best
friends, and the people who've
helped you with your work.
KARLHEINZ STOCKHAUSEN
I LIKE him not so much as a
musician, more as a philosopher.
I learned about him at school
when I was about 11. He just
had pretty cool ideas about the
universe. He's just pissed off
with the world's tendency to be
conservative and not allowing
you to go with the flow.
As a philosopher, he's just a
top person for the century. I
agree more with him as a
philosopher than with any other
person. There are a lot of books
that are on interviews he did and
also collections of his lectures.
It's not like I was sort of learning
about Jean-Paul Sartre and able
to discuss his theories
backwards and forwards, it's just
he had a certain view. Certain
people have a view on things and
they're called phílosophers, I
suppose.
I get so pissed off with people
that think old times were great,
and old music is great, and the
'70s were great, and they don't
look ahead, they're scared to
tear themselves away from the
past and go forward. He just has
this optimism about his views,
which I like.
TWYLA THARP
I'VE BEEN reading a biography
of her and she's kinda cool. She's
a dancer, and I like her because
she kind of re-invented dance. I
just read the book last week and
what she did with dance was
really cool. She's from America,
from Indiana, brought up in
California, moved to New York
and formed her own dance
company and was her own
person. She just didn't take
anything for granted and kind of
went for it. I've only seen her
stuff on telly, though.
She's just a brilliant person.
Always questioning everything
and obsessed with sincerity and
originality. People like her that
are dancing are great because
she kind of allows herself to not
know the answers to everything.
She's kind of looking for things.
When you pretend you know it
all, it's downhill from there,
really.
TOM KA KAI SOUP
IT'S A Thai soup. It's really nice.
Soup has changed a lot of
people's lives. you know? It's the
most popular one. What's in it?
Lime juice, coconut and chicken.
Why does it change people's
lives? Well, food is pretty
important. You'd be dead
without it.
JANE CAMPION
I'VE BEEN a big fan since her
first movie, Sweetie. She's from
New Zealand. I can just relate to
her really well, her point of
view. She seems a very down-
to-earth, no-bullshit kind of
woman, but at the same time
quite spiritual, I guess. It all
sounds like clichés when you say
it, but I think I got a certain
comfort from her because I was
just getting pissed off with
women moaning and
complaining about everything,
and she happened to be a
woman director who was quite
happy to be so, and quite proud
to be so, and made a strong film
with feminine strength in it.
I mean, I hate the majority of
feminist movies. If I had the right
opportunity and could get away
with it, I would easily burn all
that. But Jane Campion's also
pretty cool with guys as well,
'cos another pretty pathetic
thing was women attacking
blokes all the time, like it's their
fault. So that's cool.
But at the end of the day, I
just like Sweetie and An Angel At
My Table. I've been too busy to
see The Piano yet. I can just
identify with her energy. It's
positive, matter-of-fact, but sort
of spiritual, I guess. A lot of
people have compared her to
David Lynch, which I think is
completely unfair because I think
all his weirdness is done with a
brain, it's all clever and planned.
It's like, 'Let's put a dwarf here,
eating spaghetti'. It's pretty
cheap. I mean, I respea him, but
with Jane Campion, things like
that are so earthy and natural.
You don't think she'll be happy
to be put in the same category
as a soup? No, I think she'll
understand.
SHOTOKAN KARATE
IT'S JUST something I've been
taught. I had a Malaysian teacher
in Iceland, but with something
like that I think the biggest
discoveries you make on your
own. Obviously it's a defense
thing, but it's very focused. It
basically aims to kill in one hit,
but it's a lot about breathing. It
allows you to use oxygen as a
fuel for what you do. It's one of
the few physical things that's
good to teach singers to breathe
and run at the same time. So it's
really good for gigs.
SIMONE
SHE'S A character in Story Of
The Eye by Georges Bataille. It's
basically a book that proves that
you should do what you want,
no matter what. I mean, it is a
book, but the good thing about
books and music and stuff is that
things can happen in them and
you don't have to take the
consequences. Like you can kill
people and you don't have to go
to jail for it. And that book
shows that you can play games
like that with your head. And
anything in the world you want
can happen.
And it's kind of anti-morals.
It's like there's all these
behaviour patterns you're
taught, and it's saying, 'F- all
them'. And you should just
follow your instinct and your
need, and trust your system.
Because all the little signals it's
giving you all the time are
actually right. It's not just about
sexual obsession, it's about being
obsessed with one's needs and
going all the way, just if you need
it, and that you don't have to
find logic to it.
Of course, the master in that
category is sex, because the way
your mind works with sex, you
want to have sex with all sorts
of people, but it doesn't make
any sense and that's why you
never do it. Or at least, very
seldom. Because you can't take
the consequences of it. Sex is
like the master of illogical needs,
but at the end of the day, what
this book is saying is that the
needs are logical and real and
you should believe in them -
which is brilliant. I read that
book when I was 17 and it just
changed my life. It proved to me
that I wasn't mad.
VILLAINS
NARROW-MINDED PEOPLE
IT SOUNDS really stupid to say
that, but it's the only way to nail
it down, really. I could say, 'All
banks and politicians and so on',
and institutions just in general.
But being the anti-establishment
person I am, it's too easy. There
are too many politicians and
people like that to choose from.
Because I think it's so typical to
judge politicians as baddies and
nurses as goodies, but when it
comes down to it, it's much
more complicated than that.
If things were that black and
white it would be easy to live
without making errors. But it's
all much more colourful than
that. Like you get awkward
things like companies that are
supposed to distribute music to
the world, like record
companies, and they do lots of
stupid evil things. And it's just
stupid.
BUREAUCRACY
WHEN IT limits people. I went
to the USSR when it existed and
bureaucracy kept everything
down. I don't like filling in forms.
A friend of mine went to Canada
once and on the form you fill in
as you enter the country it asked
if he had committed a crime in
Canada, and he put, 'Not yet'.
And they threw him in jail.
SMOKE MACHINES
I'M OBSESSED with oxygen. I
just hate smoke in general. And
just basically lack of oxygen in
anything. I just get phobic. Also, I
got in situations when I was
singing on stage with a punk
band when I was 15 or
something and there was a
smoke machine right next to me
and I lost my voice halfway
through the first song because of
it. And they've just freaked me
out after that.
Fortunately, I was in a punk
band, so you were allowed to
make quite desperate noises in
the microphone. It kind of suited
the music. But ever since that
I've hated them, really hard.
* Björk was just talking and
talking very much to Roger
Morton, you know?
Typed in by Bert Ocrone
Converted to HTML by Matts Henning (April 7th 1995)
Last changed : April 15th 1995